Insanity and the Necessity of Madness in King Lear Essay -- King Lear

The Necessity of Madness in antecedentfulness LearAt the beginning of King Lear, an authoritative and willful protagonist dominates his court, making a fateful ending by rewarding his two treacherous daughters and banishing his faithful one in an effort to preserve his own pride. However, it becomes evident during the course of the tragedy that this protagonist, Lear, uses his power only as a means of projecting a persona, which he hides behind as he struggles to maintain confidence in himself. This poses a problem, since the audience is prevented from feeling sympathy for the king. Shakespeares ironic solution is to lease Lears progressing madness to be paired with his recognition of truth, thereby forcing Lear to remove his persona, and simultaneously persuading the audience that Lear is worthy of pity.Lear is initially consumed by what Burton would refer to as the human appetite,1 and exhibits traits indicative of someone dominated by the choleric conception he is prideful, yearns for authority, and bullies others when he doesnt get his way. After Cordelia refuses to dote on him in the first scene, he goes into a fit of rage permit it be so the truth then be thy dower present I disclaim all my paternal care,Propinquity and property of blood,And as a stranger to my heart and meHold thee from this for ever.(I, i, 110-118) 2Lears fury, however, only masks the accompaniment that he is really a very needy person, consumed by an unsatisfiable appetite for power and attention. As Bloom says, Lear always demands more cacoethes than can be given.3 Lear proves this to be true when he repeatedly rejects those who come him most, banishing both Cordelia and Kent, who would protect him from his other two daughters impending betrayal. D... ...say (Trans.). The Republic of Plato The comprehension of Socrates as Recounted by His Pupil Plato. New York E. P. Dutton & Co., Inc., 1957. p.171.6-Bloom, p. 482. 7-James Hutton (Trans.). Aristotles Poetics. New York Norto n & Company, Inc., 1982. p. 51.8- Bruccoli, Clark, secular Aristotle, in Bood, (ed.). Dictionary of Literary Biography Ancient Greek Authors. Vol. 176 (1997), pp. 55-76.9-Wilson Knight. The Lear origination in The Wheel of Fire. London Oxford University Press, 1930. p. 20110- A.C. Bradley. Shakespearean Tragedy. London Macmillan & Co. Ltd., 1961. p. 239.11- Knight, p. 203.12-William Shakespeare. As You worry It. New York Signet Classic, 1998. p. 44.13- T.S. Eliot. The Love Song of J. Alfred Prufrock. The Norton Anthology of English Literature. Vol. II (New York, WW.Norton, 19860. pp. 2174 ff.14-Bradley, p. 242.