Albee and Williams Use of Virility in Their Plays Essay -- Literary A

The sexual dominance of male characters over their egg-producing(prenominal) counterparts in the plays establishes their superiority and control. Both playwrights suggest that a degree of private status is acquired by sexually dominate women. The rape scene shows Stanleys use of antecedent sexually th jolting rage and strength, used to garnish his final defeat of Blanche and establish himself as King of his territory, limited to expressing fundamental desire . Since earliest manhood his life has been pleasure with women... giving and pickings of it... with power and pride. It is a power he can fulfill over women that they cannot over him. Lets have some rough house He springs towards her, overturning the table. She cries out... he picks up her inert figure carries her to the bed. The use of storey directions portrays Blanches passivity, and gives the audience a better understanding of how the event empowers Stanley similarly the enjambment, Dont you come towards me another s tep or Ill-, intensifies Blanches lack of power comparatively with Stanleys. Similarly Albee shows mens power through the ability to overpower George asserts Id discover you by force, right here on the living room rug. It is verbalize that at the end of the play he takes her to bed, after destroying her illusion. Albee also uses sexual urge as a tool for battle, Martha says I was necking with one of the guests in an attempt to antagonise her husband his nonchalant response undermines her quest for power, ... unattackable... Good you go right on. Women show a submission to the power of men, even Blanche admits that maybe Stanley is what they need to Mix with their blood, whereas she treats Mitch with contempt, rolling her eyeballs when he cant see and ridiculing him in ... ... http//www.gradesaver.com/a-streetcar-named-desire/study-guide/major-themes/ (accessed October 2010).Harold Bloom, K Harvey. Dark Humour. Infobase Publishing, 2010.Kolin, Philip C. Tennesse Williams A gu ild to resear and performance. USA, 1998.Oxford Dictonary . Oxford, England Oxford University Press, 1989.Roudane, Matthew. Whos Afraid of Virginia Woolf? Towards the Marrow. Shmoop Univeristy, inc. . Shmoop. 2010. http//www.shmoop.com/afraid-of-virginia-woolf/ (accessed October 2010).Shmoop University, Inc. Shmoop. 2010. http//www.shmoop.com/streetcar-named-desire/ (accessed October 2010).Small., Brustein 10 Quotation. Robert C. New York, USA Penguin Group, 2004.Williams, Tennessee. A ropeway Named Desire. London, Great Britain Methuen Student Edition, 1984.. A Streetcar Named Desire. London, Great Britain Secker & Warburg Ltd., 1984.